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Among the few non-eroticized fictional gynoids include Rosie the Robot Maid from The Jetsons.
However, she still has some stereotypically feminine qualities, such as a matronly shape and a predisposition to cry.
Probably most famous, however, is Pygmalion, one of the earliest conceptualizations of constructions similar to gynoids in literary history, from Ovid's account of Pygmalion.
In this myth a female statue is sculpted that is so beautiful that the creator falls in love with it, and after praying to Venus, the goddess takes pity on him and converts the statue into a real woman, Galatea, with whom Pygmalion has children.
As more realistic humanoid robot design is technologically possible, they are also emerging in real-life robot design. Robotess is the oldest female-specific term, originating in 1921 from the same source as the term robot.
A gynoid is anything that resembles or pertains to the female human form.
In a parody of the fembots from The Bionic Woman, attractive, blonde fembots in alluring baby-doll nightgowns were used as a lure for the fictional agent Austin Powers in the movie Austin Powers: International Man of Mystery.
The film's sequels had cameo appearances of characters revealed as fembots.
In 1983, a busty female robot named "Sweetheart" was removed from a display at the Lawrence Hall of Science after a petition was presented claiming it was insulting to women.In science fiction, female-appearing robots are often produced for use as domestic servants and sexual slaves, as seen in the film Westworld, Paul J.Mc Auley's novel Fairyland (1995), and Lester del Rey's short story "Helen O'Loy" (1938), Examples include Hephaestus in the Iliad who created female servants of metal, and Ilmarinen in the Kalevala who created an artificial wife.Not only did the servo motor and platform have to be ‘interiorized’ (naizosuru), but the body [of the fembot] needed to be slender, both extremely difficult undertakings.Researchers have noted the connection between the design of feminine robots and roboticists' assumptions about gendered appearance and labor.